CIMS In The Groove
2018 release from the legendary Aerosmith guitarist. Sweetzerland Manifesto features 11 hard-rocking original songs from the legendary Aerosmith guitarist. Joining Perry is a Murderers Row of some of the baddest names in rock, including Robin Zander (Cheap Trick), who sings on the single "Aye, Aye, Aye", David Johansen (New York Dolls), and Terry Reid. Even world-famous actor Johnny Depp gets in on the action, playing drums on "Eve Of Destruction". Joe Perry was ranked 84th in Rolling Stone's list of The 100 Greatest Guitarists of All Time. In 2001, he was inducted into the Rock and Roll Hall of Fame as part of Aerosmith, and in 2013, Perry and his songwriting partner Steven Tyler were recipients of the ASCAP Founders Award and were also inducted into the Songwriters Hall of Fame.
Tune-Yards’ magnum opus will arrive on January 19 in the form of new album I can feel you creep into my private life. Thematically, the 12 new songs tackle race, politics, intersectional feminism and environmental prophecies head on. But in the billows of intense subject matter, the album arrives as Tune-Yards’ most immediate and upbeat music yet- this is Tune-Yards’ music to dance to. On I can feel you creep into my private life, Tune-Yards is officially a duo. Garbus is joined by longtime collaborator Nate Brenner who produced and wrote the album together with lyrics by Garbus. Tune-Yards worked with mixer Mikaelin “Blue” BlueSpruce (Solange, Kendrick Lamar). Tune-Yards’ 2014 release Nikki Nack was one of the most well received albums of the year. New York Magazine called it “possibly the catchiest record of the year,” the New Yorker praised its “joyful energy” and “surprisingly sweet singing and catchy tunes,” and Entertainment Weekly said “life needs joyful noise like this.” Since the release of Nikki Nack, Tune-Yards has kept busy collaborating with legendary musicians David Byrne, Laurie Anderson and Yoko Ono, as well as penning the standout track, “Action,” from Mavis Staples’ 2016 album.
Blood is the much anticipated sophomore album from the romantic soul-pop group Rhye. An album about the aftermath of love which pairs a sultry, subtle, funky brand of soul music with the warm, powerful, and totally unique vocals and lyrics of Mike Milosh.
What do you get when you combine elements of the Cramps, the Yeah Yeah Yeahs, Alice Cooper, Ozzy Osbourne and The Runaways? You get STARCRAWLER. STARCRAWLER are a Los Angeles rock band who formed in 2015 when 18-year-old lead vocalist Arrow de Wilde first met guitarist Henri Cash at their Echo Park high school. Shortly thereafter they were joined by the rhythm section of Austin Smith (drums) and Tim Franco (bass). The foursome play with squalling riffs and thundering beats, and their incendiary live shows, fronted by de Wilde’s otherworldly magnetism, are truly captivating. Geoff Travis, founder of Rough Trade, explains the label’s love for the band: “If you thought rock and roll was moribund, had lost its sense of fun and performance and primal power – it just means you haven’t seen Starcrawler yet.” After signing to Rough Trade earlier this year, they quickly released their debut single “Ants”, which caught the ear of Elton John who played the track on his Beats 1 radio show. Soon after, they were on the cover of LA Weekly – their hometown paper. The headline was “With Fake Blood and Frenetic Songs, Starcrawler make rock feel dangerous again”. In the article, Arrow describes that “bands are boring nowadays” and that “there’s no mystery”. That helps explain a little bit of why their shows have become the stuff of legend. They were also hand-picked to play the CalJam Festival in LA by curator Dave Grohl. Their soon-to-be-announced full-length debut album will be released by Rough Trade in early 2018 and was recorded by Ryan Adams on analog tape at his Pax-Am Studio. Ryan’s love for them and his excitement about the forthcoming album has been well documented in his many posts about them from the studio…. “This starcrawler record is gonna peel the paint off your brain”…. “Starcrawler are so fucking insanely good. Soon they will rule this galaxy.” Gerard Way of My Chemical Romance has also fallen in love with the band and turned a ton of his fans onto them. He said “Losing my GD mind over this band Starcrawler. A blend of almost all of my favorite stuff but completely new. Super refreshing to see this mix of 70’s theatricality and Stooges electricity.” The new album sees them perfect their own take on “classic” rock the and 10 songs contained on it prove that yes, they ARE making rock and roll exciting again!
The Worms Heart is a complete re-work of The Shins critically acclaimed March, 2017 album 'Heartworms'. The album offers new reworked versions of the 'Heartworms' album original tracks, and the sequence is flipped as well. The album is available digitally, on CD, and VINYL LP.
When James Mercer wrote, produced, and recorded the Heartworms album, he had this desire for an alternate version, an opposite version. The album's slow songs would be flipped and re-recorded as fast songs, and vice versa. The reasoning was to showcase the versatility and strength of his songwriting, and the result is The Worm's Heart. This 'flipped' collection is produced by Yuuki Matthews, Jon Sortland, & James Mercer; and is a must for any fan of The Shins.
Porches’ third record The House is a conscious effort in minimalism and honesty. “Making Pool”—the band’s 2016 breakthrough record, and Domino debut—“I learned how valuable the spirit of the demos are,” says singer Aaron Maine, “so this time I made a point of capturing a song the day it was conceived.” Because of this desire to document immediate sensations, the record’s fourteen tracks offer a series of diaristic vignettes. There are moments of emerging from fear of ego death (“Leave the House,” “By My Side,” “Now The Water”), escaping the corporeal (“Now The Water,” “Swimmer”), the terrifying thrill of young love (“Country,” “W Longing”), and parting with the past (“Wobble,” “Goodbye”). While these themes possibly paint The House in a dark light, the record is marked by an excitement at the prospect of self-discovery, and commitment to the process of getting there. Though Aaron largely composes on his own, The House features contributions by Alexander Giannascoli ((Sandy) Alex G), Dev Hynes (Blood Orange), Maya Laner (True Blue, Porches), Kaya Wilkins (Okay Kaya), Bryndon Cook (Starchild & the New Romantic), Cameron Wisch (Cende, Porches), Jason Arce, Bea1991, and his own father, Peter Maine. As with Pool, Aaron brought his recorded work to Chris Coady (Beach House, Slowdive, TV on the Radio), who then mixed The House at his Sunset Sound studio.
The Wood Brothers' sixth outing, One Drop of Truth, dives headfirst into a deep wellspring of sounds, styles and influences. Whereas their previous outings have often followed a conceptual and sonic through-line, here the long-standing Nashville-based trio treat each song as if it were its own short film. Fittingly titled, the latest entry in The Wood Brothers evolution finds three musicians being true to themselves. In chaotic times when honesty is in short supply and ulterior motives seem to always be at play, The Wood Brothers put faith in themselves and ultimately their audience by writing and recording a collection of songs that is honest and pure.
Django Django – David Maclean (producer/drummer), Vincent Neff (vocalist/guitarist), Jimmy Dixon (bass) and Tommy Grace (synths) -- return, exploring new sounds with their third full-length album, Marble Skies. It’s a concise and focused album that recalls their dynamic, genre-blurring debut and its handmade, cut-and-paste approach. Following the release of Django Django’s 2012 Mercury Prize-nominated debut and 2015’s Born Under Saturn, the process for Marble Skies began with a back-to-basics approach in line with the DIY ethos of the band’s early days. In late 2016, Django Django (minus Maclean) assembled at Urchin Studios in Tottenham, London with Metronomy drummer Anna Prior to experiment with new material. After ten days of recording, there was plenty of raw material to send to Maclean for him to edit, refine and evolve before the band rejoined for recording proper. Marble Skies was completed in mid-2017 in their small, equipment-crammed studio in north London – a similar environment to the first record, which was recorded in Maclean’s bedroom.
Ezra Furman's second album for Bella Union represents a new landmark for the American singer-songwriter. Furman says, it is "not a concept record, but almost a novel, or a cluster of stories on a theme. A combination of fiction and a half-true memoir, a personal companion for a paranoid road trip, a queer outlaw saga." Crossing between love, gender, sexuality and religion, and singing in solidarity with the innocent, persecuted, oppressed and threatened, Ezra Furman has soundtracked the current fear and loathing across America like no other.
The Wombats fourth studio album, 'Beautiful People Will Ruin Your Life', will be released February 9th 2018 on their own independent label via Kobalt Music Recordings, and features the brand new single 'Lemon To A Knife Fight'. 'Beautiful People Will Ruin Your Life' sees The Wombats continuing to assert themselves as one of the biggest and best guitar pop sensations of our time. Written from three corners of the globe - drummer Dan Haggis in London, bassist Tord Øverland Knudsen nursing his new family in Oslo and frontman Murph in Los Angeles - Beautiful People Will Ruin Your Life was created over long distance writing sessions, supplemented by intense two-week in-person sessions in Oslo. With the addition of producers Mark Crew (Bastille, Rag'n'Bone Man) and Catherine Marks (Wolf Alice), the album finds The Wombats pushing the boundaries of alt-pop innovation with a lush, ultramodern indie soundscape wrapped in Blade Runner synths, future grooves, celestial solos and space age melodies.
They Might Be Giants is back! The Brooklyn originals can't stop and won't stop, with 2018 already destined to be one of their most magnificent and productive years to date. Thirty-five years deep into their epic career, this January will see the release of their brand-new studio album I Like Fun. The fifteen-track album was produced with and mixed by Patrick Dillett (St. Vincent, David Byrne, Mary J. Blige, The National, Donald Fagen) and recorded at Reservoir Studios (the former Skyline Studios where TMBG recorded their platinum album Flood). The lead track;I Left My Body; is a prime slice of the power They Might Be Giants commands. Hyper-melodic, fresh, and ever rocking, They Might Be Giants formidable live lineup enjoys a reputation for delivering one of the best shows around, and this album is a real showcase for that musical energy. I Like Fun jumps with surprises, vitality, and the startling, singular point of view TMBG always delivers.
Coinciding with the album's release is the first leg of the band's extensive world tour that kicks off with a fifty-city run across the US. And 2018 will also see the resurrection of TMBG's legendary Dial-A-Song service on streaming sites everywhere, featuring new music all year long!
Bahamas is the solo project of singer-songwriter Afie Jurvanen. He recently toured in the USA opening for Jack Johnson on his sold-out tour where he tested out tracks from his 4th studio album Earthtones, out 1/19/18. The album is a quirky yet haunting collection of songs that touch on success, parenting, facing depression, and everything else in his life. Most of all, it's an album about friendship, & how great it is to have someone in your life that can lift you up when you're feeling down.