Indie Exclusive Releases

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Courtney Barnett

INDIE ONLY RED VINYL

The Grammy and Brit nominated Courtney Barnett returns with her second album - ‘Tell Me How You Really Feel.’ It follows her critically acclaimed 2015 debut album ‘Sometimes I Sit And Think And Sometimes I Just Sit’, and a recent top 10 collaborative record, ‘Lotta Sea Lice’, with Kurt Vile. One of the most distinctive voices in music, Courtney is known for mixing witty observations with un inching self-assessment - fast forward to now and although all of the cleaver turns of phrase and an eye for story telling are still there; this new collection of songs see a more serious and outwardly tone capturing the current social landscape yet still retaining moments of intimacy and warmth. As the world becomes more familiar with Courtney Barnett these songs feel comforting and emphatic yet that raw energy and the ability to make the listener think still remain..

Courtney Barnett
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A Perfect Circle

The album arrives following years of anticipation and speculation, which reached a fever pitch as the outfit helmed by Maynard James Keenan and Billy Howerdel launched their Fall 2017 tour with the release of “The Doomed”. The band then ushered in the new year with the debut of the contemplative song, “Disillusioned”.

“Although I’m extremely excited to finally be completing this album after a 14-year hiatus,” explains Keenan. “I’m actually more excited that its intentional release date is serving a greater purpose. The 20th of April is Carina Round’s birthday. She is a dear friend who is extremely difficult to shop for. Pressure off. Of course, I must also note that the potheads are gonna be thrilled that this album comes out on 4-20. May it serve as a glorious soundtrack to accompany all of the giggling and vexing sounds of nibbling and snacking. Fingers crossed, Cheech & Chong will be proud.”

“Demos are these precious ideas that you love in their initial state,” adds Howerdel. “Then you collaborate, invite other ideas, and watch them progress. That’s the dynamics and growth of a great record. I feel we’ve made a great record.”

Eat The Elephant, which was co-produced by Dave Sardy (Autolux, Slayer), is being released in multiple formats including digital, CD, and double gatefold 180 gram vinyl. In advance of Record Store Day, a limited-edition independent retail exclusive version of the LP on white 180 gram vinyl with alternate cover will also be available.

A Perfect Circle
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John Prine

The highly-anticipated album, The Tree of Forgiveness, is Prine's first collection of new material since 2005's Grammy-winning Fair and Square. Rather than going out on a limb, Prine cultivated the themes that have brought international acclaim since the 1970s. For example, he can take a topic like loneliness and make it funny or heartbreaking.

Prine teamed with Grammy-winning producer Dave Cobb to record in Nashville's historic Studio A, enlisting friends like Brandi Carlile, Jason Isbell, and Amanda Shires to sing along. The songs are new, although some had waited to be finished for decades, like a co-write with Phil Spectro called 'God Only Knows'; Another incomplete song, 'I Have Met My Love Today' now celebrates the unexpected spark that leads to lifelong romance -- with a dash of youthful innocence. The musical arrangements may be simpler than on past efforts, yet his unique ability to distill complex emotions into everyday language remains fully intact.

John Prine
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Wye Oak
Limited-edition, indie-only. Single LP on beige and blue "half-and-half" vinyl ("sand and sky vinyl") in same packaging as standard LP. Includes coupon for full download. Limited to 2,500 worldwide. The Louder I Call, The Faster It Runs-the triumphant fifth album by Wye Oak-begins with an explosion. For a few seconds, piano, drums, and a playful keyboard loop gather momentum; then, all at once, they burst, enormous bass flooding the elastic beat. "Suffering, I remember suffering," sings Jenn Wasner, her voice stretched coolly across the tizzy. "Feeling heat and then the lack of it, but not so much what the difference is." The moment declares the second coming of Wye Oak, a band that spent more than a decade preparing to write this record-their most gripping and powerful set of songs to date, built with melodies, movement, and emotions that transcend even the best of their catalogue.
Wye Oak
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Amen Dunes

On every album, Damon McMahon aka Amen Dunes has transformed, and Freedom is the project's boldest leap.

The themes are darker than on previous Amen Dunes albums, but it's a darkness sublimated through grooves. The music, as a response or even a solution to the darkness, is tough and joyous, rhythmic and danceable.

It's a sound never heard before on an Amen Dunes record, but one that was always asking to emerge. Eleven songs span a range of emotions, from contraction to release and back again. 'Blue Rose' and 'Calling Paul the Suffering' are pure, ecstatic dance songs. 'Skipping School' and 'Miki Dora' are incantations of a mythical heroic maleness and its illusions. 'Freedom' and 'Believe' offer a street tough's future-gospel exhalation, and the funk-grime grit of 'L.A.' closes the album, projecting a musical hint of things to come.

Amen Dunes
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Courtney Marie Andrews

'May Your Kindness Remain' is Courtney Marie Andrews statement piece.  It is the follow up album to Courtney Marie Andrews critically acclaimed 2016 album Honest Life, which made Rolling Stone's list of the "Top 40 Country Albums of 2016" and was The Bluegrass Situation's Album of the Year.  She even appeared on an episode of 'Later…with Jools Holland.” She has toured with The Head & The Heart, Big Thief, Hamilton Leithauser and more. 

Courtney Marie Andrews
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Starchild & The New Romantic

“Black boys have a whole world of complexity that society makes us stomp out of ourselves." Language, Bryndon Cook's full-length debut as Starchild & The New Romantic, communicates his refusal to do so. Describing himself early-on as a “young romantic boy from Maryland," Cook has long been a dreamer, a student of black music’s rich lineage and its intersection with pop. He's drawn to landmark moments where artists have found truth in darkness; the diverse language of music living in their core. This record is his; lifting o from the monochrome world of Crucial, his 2016 EP on Ghostly International, up towards a dazzling crimson blood-rush of sky-high defiance and autonomy. On Language, Cook refines his phonics for funk, electro, and R&B, and arrives at a revelation, best summarized by a single motto: "my sensitivity is my strength."

“When I wrote these songs, the sunshine of my mind was beginning to set in a dark place. I found myself developing almost a surrogate relationship with my telephone. I would fall asleep at night clutching it, waiting for a call. When we parted, I would become attached to my phone as a conduit to this person I had lost.”

Even if the valleys of their relationship were debilitating — a "black goth realm" to his soul, as Cook puts it — he often overlooks them in hopes of more peaks, more light, resulting in his most earnest, warm-hearted material to date. Take the tender single, "Hangin On." Cook beams above a prismatic soul-tinged shule and luminescent keys, still visited by the past yet at peace with the present.

The pitch is far more pointed on the album's title track, a vibrant, funk-fueled opener that wastes little time making its purpose heard. "Should have stuck with me kid," Cook begins, as nasty as he is rapturous. By its end, he's in full control. "Can I get a witness?" He screams, invoking the power of an affirmation ushered from church aisles into the lexicon by Kirk Franklin.

Sonically and spiritually, Cook finds guidance in grand standards: looking up to producers Jimmy Jam & Terry Lewis, studying their contributions to the New Jack Swing era and pop music at large. Touchstone statements like Janet Jackson's Control, Michael Jackson's Bad, and Prince's 1999; singular breakout LPs from Terence Trent D'Arby and Bobby Brown; the honesty of Bruce Springsteen's Nebraska and Carole King's Tapestry; the ingenuity of Laurie Anderson. Cook also reflects on recent years with Solange, as part of her touring band, and collaborations with Dev Hynes aka Blood Orange, as reminders of artistic individuality. "Being around them now urges me to find my own way of delivering my own messages."

Cook expands his message and its impact by arranging talents. For the first time, sessions included members of his band, The New Romantic, allowing for keyboard/synth parts to be recorded straight-through, with no punch-ins, and a more dynamic atmosphere overall. Further, Cook recruits The Newark Boys Chorus to underscore the most poignant lines of "Boys Choir," giving them the entire stage for the coda: "Be it understood. / This love is mine."

Moves like this get to the root of the record: a contemplation of the boyhood that never truly leaves us. "In the black community, any sign of femininity or childlike wonder is often misconstrued as weakness, because society has always expected us to be strong. They prey on us as kids and take us to prison like adults. They kill us on the street. They take everything from us and never say thank you."

Starchild & The New Romantic
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Young Fathers

Young Fathers will release their third studio album, Cocoa Sugar, on March 9th, 2018 via Ninja Tune. The UK-based & Mercury Prize-winning trio recently shared their latest track & video 'LORD', which was described as 'Spectacular' by FADER, Crack, and Clash & earned praise by Stereogum, Paste, NME, Complex & more. The band will then return to the USA with a run of shows this Spring. Following their work on the score of Danny Boyle's Trainspotting 2, Young Fathers deliver their third and most ambitious record to date.

Young Fathers
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Tracey Thorn

Limited-edition, indie-only. Single LP on translucent red vinyl. Includes coupon for full download. Limited to 3,000 worldwide.

“Nine feminist bangers,” Tracey Thorn joked when asked to describe her first solo album of entirely original material in seven years. Resplendent in Ewan Pearson’s unashamedly glittering electro-pop production, Record will be released on March 2, 2018.

“I think I’ve always written songs which chronicle the milestones of a woman’s life,” she says. “Different ages and stages, different realities not often discussed in pop lyrics. If 2010’s Love and Its Opposite was my mid-life album—full of divorce and hormones—then this album represents that sense of liberation that comes in the aftermath, from embarking on a whole new ‘no fucks given’ phase of life.”

On Record, the synth-driven tracks arrive and leave with a punchy sub-three-minute directness. The album packs an eloquent punch. As ever, the personal has often been political in Tracey Thorn’s work. Across four decades, her songs and writing have offered up a clear-eyed woman’s view of the immediate world around her, from the acerbic teen love songs of her first early ’80s band Marine Girls through sixteen years as one-half of articulate multimillion-selling duo Everything But The Girl, to her recent acclaimed memoirs and journalism.

Tracey Thorn
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Jonathan Wilson

Jonathan Wilson had a busy 2017, producing Father John Misty's grammy-nominated Pure Comedy and touring arenas around the globe as a guitarist and vocalist for Pink Floyd legend Roger Waters (for whom he also contributed to the lauded Is This The Life We Really Want? album.) Wilson also saw widespread acclaim heaped on Karen Elson’s sophomore LP Double Roses, which he recorded with her in Los Angeles in 2016.

But it's not looking like Wilson is going to get much of a rest in 2018 either, as he'll be continuing on with the worldwide Waters tour and is set to release his own new solo album Rare Birds in the spring. The highly anticipated long player - which features backing vocals from Lana Del Rey, Josh Tillman, fellow Roger Waters bandmates Lucius and an extraordinary musical gift from otherworldly Brian Eno collaborator Laraaji - will be released through Bella Union worldwide.

Jonathan Wilson
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Soccer Mommy

Soccer Mommy is the project of twenty-year-old Sophie Allison, a Nashville native. She cut her teeth in her local DIY scene, going to shows and hanging out with other musicians, though she kept her own songwriting secret. All that changed the summer before Allison left for college. She bought a Tascam digital recorder and began to experiment with production, pushing the quality and craft of her songs to new heights. A buzz began to grow around her Bandcamp recordings, leading to live shows and eventually a record deal, with 2017’s critically acclaimed bedroom-recorded compilation Collection. “I realized that I could do this full-time,” says Allison. “It was either quit school now and do it, or stop growing as an artist. It was now or never.”

So Allison took the plunge. She quit school, moved back home to Nashville, shifting all her focus to music. She toured with Mitski, Jay Som, Slowdive, and others, and was featured in the New York Times article “Rock’s Not Dead, It’s Ruled By Women.” The bedroom project of Sophie Allison is now a full-time band with a new studio-album debut, Clean. Produced by Gabe Wax (War On Drugs, Deerhunter, Beirut) and mixed by Ali Chant (Perfume Genius, PJ Harvey), Clean is Allison’s journey out of the bedroom and into the studio.

Clean presents Sophie Allison as a singular artist, wise beyond her years, with an emotional authenticity all her own. “It feels like my first real record,” says Allison. “It’s my first real statement.” It’s an emotional album, heavy on themes of growth, isolation, and change, but balanced by a lightness of touch, and with hooks to spare. Clean is a true step forward, a mature, powerful album from an artist just coming into her power.

Soccer Mommy
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Titus Andronicus

Limited-edition, indie-only. Single LP on blue and gray swirl vinyl. Includes bonus 7” with “(I’m) Like a Rolling Stone” on black vinyl in a stock white paper sleeve. Includes coupon for full download. Limited to 3,000 worldwide.

Since debuting in 2008, Titus Andronicus has been conditioning faithful listeners to always expect only the unexpected, consistently zigging where others would zag and maintaining a steadfast dedication to fearless ambition. With the March 2 release of the new studio album A Productive Cough on Merge Records, Titus Andronicus has executed the most shocking departure yet—but only if, as ever mercurial singer-songwriter Patrick Stickles insists, “you haven’t been paying attention.”

Titus Andronicus
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Pianos Become The Teeth

Wait For Love, their fourth album, sees PIANOS BECOME THE TEETH taking another sonic step forward to craft a musical statement that truly transcends genres. The Baltimore natives have produced a collection of songs that feature lush soundscapes and a more nuanced and melodic sound when compared to the screamo-aggression of their early work.

Fans who have followed the band’s trajectory—from their 2013 split with Touché Amoré—can trace the way the band’s sound has evolved from a melodic screamo act to a group that create heaviness and weight via raw emotion instead of distortion and dissonance.

Pianos Become The Teeth
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I'm With Her

See You Around is the full-length debut from I'm With Her, featuring multi-Grammy-Award-winners Sara Watkins, Sarah Jarosz, and Aoife O'Donovan. Before coming together these artists co-founded seminal bands (Nickel Creek and Crooked Still) and since have collectively contributed to critically acclaimed albums from esteemed artists including Yo-Yo Ma, The Civil Wars, Kris Kristofferson, John Mayer, Alison Krauss, and more!

I'm With Her
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Superchunk

Limited-edition, indie-only. Single LP on pink-in-clear vinyl. Includes 12” x 24” folded poster insert. Includes coupon for full download. Limited to 3,000 worldwide.

After the shocking, and for many, demoralizing result of the 2016 election, “I didn’t buy the silver lining some were promoting that ‘well, at least art and music will be great now!’,” says Superchunk co-founder and frontman Mac McCaughan. “Obviously, any sane person would gladly trade four to eight years of terrible music for not having our country dismantled to satisfy the whims of a vengeful child and his enablers.”

That said, good music and art still have a lot to say, and the urgency of current events gave Mac, Laura, Jim, and Jon the momentum to make something new sooner than later. “It would be strange to be in a band, at least our band, and make a record that completely ignored the surrounding circumstances that we live in and that our kids are going to grow up in.” Enter What a Time to Be Alive, Superchunk’s first album in over four years, out February 16, 2018, on Merge Records. It’s a record, says Mac, “about a pretty dire and depressing situation but hopefully not a record that is dire and depressing to listen to.”

Superchunk
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Ought

Limited-edition, indie-only. Single LP on white vinyl. Includes 12” x 12” printed insert. Includes coupon for full download. Limited to 1,500 worldwide.

On Room Inside the WorldOught’s third album and their first for Merge—growing up doesn’t mean mellowing out so much as it means learning to pay attention, listening carefully and openly, staying somewhere long enough to really understand where you are. Recorded at Rare Book Room in Brooklyn with producer Nicolas Vernhes (Deerhunter, Animal Collective, Silver Jews), Room Inside the World explores themes that have always concerned the band—identity, connection, survival in a precarious world—but with a bolder, more nuanced sound palette. Vibraphone, justly intonated synthesizers, drum machines, and a 70-piece choir suffuse the precise post-punk breakdowns that spangled Ought’s first two albums, giving rise to an emotional complexity that pushes their characteristically taut sound to greater depths.

Ought
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